Wasn’t Masambula
just made to outwit villains like
Surprisingly
often, however, he was opposed by the likes of Bert Royal and Mike Marino,
matchmaking which seemed at initial glance to be uncomfortable for his
style. So it was not without some
trepidation that we tuned in to this classic 1972 rerun with the African
Witchdoctor, all leopard-skin and rolling eyes, opposed by one of the classical
stylists, multi-titled Tony Charles from the
The bout
ran the regulation 25 minutes to a 1-1 draw.
So often Masambula was deemed not to be beaten, but his antics were also
somehow deemed unworthy of outright victory.
He must hold the title for involvement in the greatest number of inconclusive bouts.
As usual,
we are not so interested in the destination that is a mere resut, but the scenic route taken to get
there. And this was a beauty of a ride. From that initial backcloth of concern, both
players fought out a highly entertaining bout for late night screening.
Masambula’s
agility was on full display, and he demonstrated plenty of textbook and
innovative counters to the Welshman’s undoubted skills. Painful looking back hammer throws, monkey
climbs and all manner of leg locks created a rich variety of action.
He also
managed to provide just the right amount of clowning over a long haul to make
it all believable. Let’s revisit this
fundamental point at the very heart of our fascination, believability. In these knowing years we are armed with VCR
rewind buttons and can dissect and analyse every second of our heroes’
work. But then it was not so. Other controversial and even jocular sports
stars of the time such as Harvey Smith, George Best, Cassius Clay, Hurricane
Higgins and Lester Piggott ensured we were receptive to all kinds of antics,
and wrestling just ensured it had a few more characters than most other sports. At no time did we doubt Masambula’s ring
mastery, as every couple of minutes he would remind us of what he was made of.
It was
fascinating to note how the necklaced ladies and necktied gentlemen at 1972
ringside saved their loudest rounds of applause for two sporting moments when
Masambula declined to administer first a head butt and second a potentially
painful leg stretch. Such applause
allowed an interaction with the wrestlers at some kind of ethical level and is
one of the many fossils from a time gone by and, in part, an explanation of why
professional wrestling can never regain the glory years.
Tony
Charles had no easy task – but then which Masambula opponent ever did? He went along with the fun as far as
possible, demonstrating that he just couldn’t put up with all the leg
twitching, but falling short of ever succumbing to the African’s regular calls
of “Him say yes?” On the occasions he
was able to display his own mat skills, Mas was more than capable of trading
holds.
The
highlight, as ever, was Masambula’s victory celebration on his opponent’s
corner post. Gee he threw himself into
it! His legs looked like catapulting
into the tenth row. This must have gone
wrong at times, if he always flung himself into it with such verve.
The only
disappointment is a much levelled criticism, the target of which are often the
seasoned and perhaps lazy pros, and even the energetic Masambula cannot be
excused laziness of thought in this his twentieth year at the very top. Why oh why when they got to the final round,
with the score level, did wrestlers make so little visible attempt to secure
victory, preferring to play out time in leg locks, on comedy, and basically on
holds that were leading nowhere?
This
otherwise delightful spectacle was framed within the most impeccable emceeing by Ernest
Lofthouse, an authoritative voice who descriptively and successfully made us
feel privileged to have witnessed such action.
Masambula versus Tony Charles,